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London played a central role in transatlantic slavery yet there is little to honour the sacrifices, contributions, lives and descendants of those enslaved during the transatlantic slave trade. 

In March 2023, the Mayor of London committed £500,000 to develop a memorial initiative. We now want to hear your views on the six incredible ideas shortlisted for it. 

The memorial will include a permanent artwork, satellite sites and an engagement programme. These were all informed by the Mayor’s Commission for Diversity in the Public Realm. The main artwork will be installed at West India Quay in London’s Docklands.

View the shortlist submissions

An immersive sculpture offering communities in London a space to gather, listen, grieve and remember the victims of transatlantic slavery.

A picture of someone walking up a mock-up of The Wake, a bronze-coloured art piece by Khaleb Brooks

A large-scale circular stone structure, representing a ripple's form and idea.

A picture outside Ripple, a white, multi-layer art installation by Helen Cammock

A poetic and subliminal sculpture to foster a reflection around the Middle Passage, interrupting the collective imaginary.

Computer generated large grey, waist height, solid block, with gold coloured text around the side. On top of the grey block are smaller black blocks and a few gold coloured blocks. The block is set into a streetscape with cobbled street.

Bronze sculptures of boys and girls process together, wearing Carnival or African-influenced masks.

A computer generated image of streetscape with a traditional building in the background with a grey stone plinth with three layers, on top of this is a figure of child with drum on a white strap slung around their neck, the child is holding drum sticks and wearing a tiger-like animal mask. Walking towards the plinth are children of different heights, all wearing animal or traditional African masks, each child is carrying an object, such as a building or a boat. All the children are green coloured.

A richly decorated representation of an African Queen, believed to be the mother of all deceased people.

A computer generated image of a tall, assemblage of colourful and decorative elements, build into a tower or totem, that has overall sense of a female figure. It is in a public square with traditional victorian buildings in the background.

Bringing together visual cues from across the African diaspora.

A computer generated image of a close up of a streetscape with people in the foreground and tall, modern buildings and boats in the background. In the centre of the image are groups of tall green crops, with leaves and pink blooms, a large white sea shell with brown spots, and a gazebo structure.

Cast your vote for the memorial commission

Vote for artwork

Location of the memorial

The main artwork will sit outside the entrance to the Museum of London Docklands in West India Quay. 

This location was chosen because of its connection to the transatlantic slavery. Warehouses in West India Quay were built to receive the products of slavery. They are some of the only surviving buildings of their kind in the capital.  

There will also be satellite sites to connect with different stories of slavery across London. Through these satellite sites, the memorial will bring to life the weight of this history and the legacy of the slave trade in London, the UK and the world.

4 storey tan-coloured brick block building next to a cobbled public square in London Docklands
A cobbled public square next to a 4 storey tan-coloured brick block building next to a cobbled public square in London Docklands. In the distance is a glass tower block and cafe area.

Why it's called Memorial to victims of transatlantic slavery

This memorial focuses on those who suffered, were oppressed and forced to overcome horrific harms committed against them. So we refer clearly to the victims of transatlantic slavery.  

We acknowledge the word ‘victim’ comes with complex meanings. For some, it validates that horrifying crimes were committed against enslaved Africans. For others, it is passive and ahistorical, denying the strength and resistance of those enslaved. 

We acknowledge the terms and language is continually changing when talking about transatlantic slavery. We will continue to listen and explore how we can best talk about this project in a manner that is respectful, humanising and accurate.

Why create a memorial

Memorials are powerful symbols. Many public memorials in London commemorate enslavers or focus on abolitionists rather than the enslaved. This memorial is a chance to redress this balance. 

Much of London’s wealth was built on the labour of enslaved Africans. A memorial is one way to remember. It will help unite the shared history of the city and grow a collective awareness of this period and its legacy. By honoring this history, we respect and empower all Londoners. 

This memorial contributes to a wider conversation already happening in the UK and worldwide about how to recognise and discuss this shared history. It will acknowledge London’s role in transatlantic slavery. And foreground a major permanent artwork by a Black artist, at a time when Britain’s Black art scene is being celebrated worldwide. 

There is a growing appetite for this history. Through a London-wide collaborative process between artists, children and communities, this will be a chance to bring this history alive in an imaginative and compelling way.

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Shaping this commission

The memorial is underpinned by a curatorial strategy, as well as deep community engagement.

These proposals follow three years of community engagement, consultation and considered thinking about London’s public realm and how to mark this important part of London’s history. There were many:

  • roundtables with experts and academics, communities and young people 

  • wider community-led conversations, each exploring some of the narrative questions around the memorial. 

In this period, over a 1000 people gave their views and feedback.  

In March 2024, we began conversations with Londoners to determine: 

  • what the learning offer should look like 

  • how it should be delivered 

  • what it should include.  

Over 200 teachers, parents, primary and secondary school pupils, academics and heritage practitioners have been part of the conversation so far.

A longer list of artists was put together for this commission by arts professionals, sector specialists and community groups. The Artistic Advisory Panel were responsible for selecting the shortlist.

Once the public have given feedback on the proposals, the panel will select the final work.

An Artistic Advisory Panel is overseeing the commissioning process. The group is formed of experts from the field of art, broadcasting, academia and public realm.  

It is co-chaired by Dr Debbie Bernard-Weekes and Justine Simons OBE and includes the following independent advisors:

  • Zerritha Brown, Head of Culture, London Borough of Camden    

  • Aindrea Emelife, Curator of Modern and Contemporary at MOWAA (Museum of West African Art)

  • Douglas Gilmore, Director Museum of London Docklands   

  • Gaylene Gould, Broadcaster, curator and artist   

  • Glory Samjolly, Artist  

  • Binki Taylor, Partner The Brixton Project (Commission for Diversity in the Public Realm)  

  • Dr Zoé Whitley, Director Chisenhale Gallery (Commission for Diversity in the Public Realm)

Share your views by voting for a memorial commission

Cast your memorial vote

About the Commission for Diversity in the Public Realm

London is one of the most diverse cities in the world, with more than 300 languages spoken every day. Yet its statues, plaques and street names don't reflect our city's stories. 

The Mayor of London is committed to ensuring that the capital’s population and history are celebrated and commemorated. After unveiling the statue of suffragist leader Millicent Fawcett in Parliament Square in 2018 – the first statue of a woman in the Square – the Mayor and his senior team set up the Commission for Diversity in the Public Realm. 

This memorial is part of the work started by the Commission for Diversity in the Public Realm. It also brings together other groups, such as the UNESCO Community Advisory Group, other partners and stakeholders, and our Partners Board.

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